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Taquwami – Blurrywonder

Ambient & Experimental, Downbeat & Downtempo, Trance // By: Garrett // 09/09/2012 // No Comments
taquwami_blurrywonder

The initial impressions I had of Blurrywonder, the first release off of the newly established collective, Void Youth, was one of uncertainty. Tokyo-based Taquwami’s sense of aestheticism is extremely Internet savvy, conceptualized in a way where who it is trying to appeal to seems to be extremely apparent.

Blurrywonder came off as a sort of polished and highly preconceived musical package for the ever-hungry blogger community, and it was hard to hone in on its integrity.

After all, Void Youth, which also consists of Toronto-based Hollow Pigeons and Virginia-based Ruddyp, have all had their fair share of Internet hype, much of it associated with their given age and appropriation of trap music and minimalist Eastern-inspired melodies, aligning themselves to Internet culture by labeling their music from anywhere to “trillwave” to “chillwave” and all other variations of “wave.”

Blog culture seems to heavily focus on details such as this.

At times it almost seems like apart of an agenda. A competitive system of networking which passively spreads music around, adhering to no specific genre or taste. It’s the sort of thing that makes some music listeners very weary and assuming that they may have heard it all before.

But despite so many things building Taquwami up to being just simply another “Internet musician,” the music of Blurrywonder often feels like it does come from a place of passion.

Although at times it does feel a bit imperfect, a bit unpolished, everything is pointed towards the right direction and Taquwami is making a conscious choice to stand out amongst his peers, despite any similarities that can be noted to his music.

For instance, the abrasive, yet melodic “cut-up” sound clashing with funky arpeggiated synth lines on songs like “Ohhh Lover” displays the aggression and aestheticism of artists like DJ Newtown, and would no doubt fit amongst the shelves of Maltine Records.

Another highlight, “Attraction,” despite it’s light “trap” influenced percussion, pitched-up chipmunk vocals and an ominous dark bass line, hits the right emotional tier, as to proving that Taquwami can produce a sound that is perfectly effective for his specific approach.

Blurrywonder is what it describes, a hazed out imprint on the digital music world, so sonically similar to its counterparts that it may possibly be overlooked.  But strangely, it can’t be overlooked. It’s execution is done with precision and despite maybe just being another blogger’s flavor of the week, it deserves much more appreciation than that.

Taquwami, like his other label mates, all have a lot of time to mature and perfect their sound and sort out their influences to stand out clearly from the rest of the game. For Taquwami, maybe that ability cannot be heard for sure now, but there should be little doubt that he can do so in the future.

Taquwami- Attraction

 

Deep link to Release Page: [VY-01] (paid release)

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Rating: 7.0/10 (4 votes cast)
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Nova Robotics – Popola EP

Audio, Dubstep & Garage, Indie & Indietronica, Trance // By: Ash // 31/07/2012 // No Comments
NovaRoboticsNetlabelismArticle

We all know the mainstream music scene is turgid with generic bilge. As a result, pop can be a dirty word. But it is my belief that it doesn’t have to be.  The term pop is short for popular; meaning that it is appealing to a wide-range of people by design, therefore writing something with wide appeal can be an art-form in itself.

In this case, pop is short for ‘Popola’, the name of the latest free EP by Bristol-based two-piece Nova Robotics. They have emerged quietly out of the cacophony of genre-slamming artists who manage to marry ‘technically interesting’ with the hallmarks of popular music. NR have been steadily chipping away at their stream-lined, club-friendly brand of post-rock for the best part of 6 years now. This latest effort verges on the grandeur of generic post-rock, only to fool the listener with some cleverly placed commercially viable sounds and motifs.

…that brings us to the wub.

The wub is a bone of contention for many electronic music fans these days since commercial Dubstep reduced this beloved moniker of synthesised sound to nothing more than shit short-hand for a shallow genre.

Nova Robotics have interlaced the quintessential ‘wub’ with a straight, pounding 808 kick and snare; drawing it away from the predictable dush-pah! of almost every commercial dubstep track. This is basically a trance-step fusion with a surprising hint of text book post-rock guitar lines. Delayed one-string noodling patters dance across pumping kick drum and a rising and falling crescendo. As a point of reference, think Explosions In The Sky meets Deadmau5.

The EP is a logical step forward from previous releases; showing off what seems to be their over-arching style but with a developed sensibility that nods to elements of mainstream dubstep as well as trance. Genre-slamming is perhaps NR’s intention as that formidable ’wub’ presses hard against the delay-laden guitars but at times this technique feels over-used. NR are far from one-dimensional as tracks like ‘SupaNova’ and ‘Overproof’ show but the other two tracks on this EP feel somewhat rigid by comparison.

For this reason, the EP is split right down the middle. The title track ‘Popola’ is almost NR-by-numbers, with its meandering melody and perpetual umph! umph! umph! But compare this against the phenomenal phazing bassline that comes in 0.35sec’s  into ‘SupaNova’ and you can’t deny that their sound has developed somewhat. The darkly experimental ‘Overproof’ quietly does away with the largely forgettable third track ‘Devola’, daring the listener to relax with its eerie fizz then slowly introducing those brooding distorted chords before bending said chords across a stuttering off-beat drop. A touch of  post-rock guitar is the only sense of familiarity in this track as its daring and brooding brings this short yet snappy EP to a close.

The ‘Popola EP’ is a testament to what is achievable outside of a pro-studio these days and compliments their hitherto DIY ethic with its big synthy textures. It also successfully binds a pop sensibility with elements of guitar and electronic sub-genres. It does however, seem to hint at something great rather than be something great. This reviewer would like to see a full album of songs as cleverly structured and sonically satisfying as the tracks 2 and 4 from this record.

Nova Robotics – SupaNova

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Deep Link to the Release Page

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Rating: 8.3/10 (6 votes cast)
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v/a – #6 the principle of cause and effect [ZIMMER066]

Electronika, IDM, Minimal, TechHouse, Techno & Detroit, Trance // By: Netlabelism // 22/12/2010 // No Comments
ZIMMER066

This Principle embodies the fact that there is a Cause for every Effect; an Effect from every Cause. It explains that: “Everything Happens according to Law”; that nothing ever “merely happens”; that there is no such thing as Chance; that while there are various planes of Cause and Effect, the higher dominating- the lower planes, still nothing ever entirely escapes the Law. The Hermetists understand the art and methods of rising above the ordinary plane of Cause and Effect, to a certain degree, and by mentally rising to a higher plane they become Causers instead of Effects. The masses of people are carried along, obedient to environment; the wills and desires of others stronger than themselves; heredity; suggestion; and other outward causes moving them about like pawns on the Chessboard of Life. But the Masters,rising to the plane above, dominate their moods, characters, qualities, and powers, as well as the environment surrounding them, and become Movers instead of pawns. They help to PLAY THE GAME OF LIFE, instead of being played and moved about by other wills and environment. They USE the Principle instead of being its tools. The Masters obey the Causation of the higher planes,but they help to RULE on their own plane. In this statement there is condensed a wealth of Hermetic knowledge – let him read who can.  //dr joshua david stone

This is the latest Compilation “Hermetic Principles part 6″ (out of 7) from the German Netlabel Zimmer-Records. Again they bring us 12 nice and warm Tracks for cold winter days. Starting with gentle Ambient Music and ending with straight Technosounds for the Dancefloor. Different Moods and Styles combined into one unique piece of Art. Highly recommended! Watch also out for the first principles of truth – with high class Tunes, nice Artwork and deeper Message! [KD]

John Ming – Floating

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