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Telephobia – माया [māyā]

On the west coast of the United States of America, there is a magical place known as Portland. Portland, a city in the state of  Oregon, is home to an eclectic art scene and is the inspiration for at least one blissfully funny, absurd, and “hip” television show, Portlandia.

 

Portland is also the home to Oligopolist, the publisher of this review’s artist, Telephobia. Otherwise known as Colin Fien, Telephobia (fear of [using] telephones, if anyone was wondering), produces what I would describe as glitchy, wonky, downtempo beats. On his 2013 release titled माया [māyā], he places a lot of emphasis on the synthetic – electric keys, feedback, deep bass, warped samples – but he makes room for organic sounds like finger-snaps, tambourines, and even a harp (or maybe it’s a guitar, hard to say). For a 14-track album, the total length is 41 minutes, making the average track length just under 3 minutes long.

Those squiggles in the title are Sanskrit text that translates into “maya”. At the risk of over-simplifying, maya is the idea of illusion or delusion. In other words, what we experience might seem “real” or permanent, but is actually not real or lasting. To help us understand where he’s coming from, Mr. Fien includes a few poetical lines on the album’s release page:

माया [māyā]

Not white as in
nothingness
but a familiarity
like faces in a dream//
intangible –a dead language

Here we see illusion or delusion referenced as a dream. It seems real at the time, but upon waking, the sense of the dream’s reality fades to the point where you begin to question if it ever really happened. Several tracks throughout the album have titles that underscore various aspects of this phenomenon, for example “[?]”, “Dark”, “Blue Dreams”, “Sleepfall”.

For the review, I’ll focus on the first and last tracks, “[?]” and “Sleepfall”.

“[?]” is filled with a fuzzy, thumping rhythms; splashy cymbals; hollow, crystalline keys; shrill accents and more. It combines a wide variety of unusual and sometimes bizarre sounds to construct a unique musical experience. Its pace is slow and steady, its mood curious. Mr. Fien explores a variety of highs and lows throughout the track, all of which contribute to the enjoyment of this auditory opus.

“Sleepfall” is a short track (just over 2 minutes) that introduces itself with what sounds like a harp or a lute. It’s pacifying and even a bit disarming – not unlike the moments of sleep prior to a dream – as it masks the sudden yet welcome appearance of the rest of the track. Once again, we hear the warm, feedback-y pads; digital melodies and rhythms, featuring synths and whistles; and an array of percussive elements including cymbals and snares. About halfway through, while we’re well into a dream, the track drops everything but the initial string plucking only to bring it all back again.

Telephobia’s माया [māyā] is beautiful and out of the ordinary, and well worth some serious listening.

Telephobia – “[?]”


Telephobia – “Sleepfall”

Links माया [māyā] release page

Soundcloud

About The Author

Chris hails from the east coast of the United States. With help from Netlabelism.com, he discovered the netlabel phenomenon in 2012. Since then he’s been hooked, listening to netlabel music almost exclusively. He enjoys jazzy hip-hop, psychedelic chill out, and bass-heavy tunes. In addition to listening to and sharing music, he loves to read and write (he’s even written a book!). Chris reviews North Carolina beer at www.PorchDrinking.com.

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